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    <title>The Binaural Source - Tools</title>
    <link>http://binaural.com/serendipity/</link>
    <description>Audio is usually binaural.</description>
    <dc:language>en</dc:language>
    <generator>Serendipity 1.1.2 - http://www.s9y.org/</generator>
    <pubDate>Wed, 23 May 2007 18:11:25 GMT</pubDate>

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        <title>RSS: The Binaural Source - Tools - Audio is usually binaural.</title>
        <link>http://binaural.com/serendipity/</link>
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<item>
    <title>HRTF Play</title>
    <link>http://binaural.com/serendipity/index.php?/archives/87-HRTF-Play.html</link>
            <category>Tools</category>
    
    <comments>http://binaural.com/serendipity/index.php?/archives/87-HRTF-Play.html#comments</comments>
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    <author>nospam@example.com (Eric Larson)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;&lt;font size=&quot;3&quot;&gt;I made a plugin for foobar2000 (PC audio software) that can do stereo convolution. This&lt;br /&gt;
performs the same task as the convolve plugin, but allows the left signal to be sent to the left and right outputs, and the right signal to be sent to the left and right outputs. This allows the computation of head related transfer functions (HRTFs), which are approximated by features like bs2b and crossfeed.&lt;/font&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;br /&gt;More information and download at: &lt;br /&gt;&lt;u&gt;&lt;a href=&quot;http://people.bu.edu/edlarson/stereoconv.html&quot; target=&quot;_blank&quot;&gt;http://people.bu.edu/edlarson/stereoconv.html&lt;/a&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;If you want some real HRTF files to try with it, I recommend IRCAM&#039;s site:&lt;br /&gt; (&lt;u&gt;&lt;a href=&quot;http://recherche.ircam.fr/equipes/salles/listen/context.html&quot;&gt;http://recherche.ircam.fr/equipes/salles/listen/context.html&lt;/a&gt;&lt;/u&gt;).&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;br /&gt;&lt;br /&gt; Happy listening.&lt;/font&gt;&lt;/p&gt; 
    </content:encoded>

    <pubDate>Sat, 19 May 2007 13:52:45 -0700</pubDate>
    <guid isPermaLink="false">http://binaural.com/serendipity/index.php?/archives/87-guid.html</guid>
    
</item>
<item>
    <title>HEAD acoustics - Auto Record and Play</title>
    <link>http://binaural.com/serendipity/index.php?/archives/65-HEAD-acoustics-Auto-Record-and-Play.html</link>
            <category>Tools</category>
    
    <comments>http://binaural.com/serendipity/index.php?/archives/65-HEAD-acoustics-Auto-Record-and-Play.html#comments</comments>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;&lt;img width=&quot;314&quot; height=&quot;297&quot; src=&quot;http://binaural.com/serendipity/uploads/headacoustics.PNG&quot; style=&quot;border: 0px none ; float: left; padding-left: 5px; padding-right: 5px;&quot; /&gt;While there is much information surfacing about &amp;quot;dummy heads&amp;quot; at the moment, today&#039;s link looks at one provider in a huge market, evaluating automobile sound and sound systems, with much gear.&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.head-acoustics.de/Download_Area_e/Datasheets/D4823e1%20(MHS%20III).pdf&quot;&gt;&lt;font size=&quot;3&quot;&gt;&lt;font color=&quot;#3333ff&quot;&gt;http://www.head-acoustics.de/Datasheets/&lt;/font&gt;&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
 
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    <pubDate>Thu, 09 Nov 2006 04:44:00 -0800</pubDate>
    <guid isPermaLink="false">http://binaural.com/serendipity/index.php?/archives/65-guid.html</guid>
    
</item>
<item>
    <title>Handheld Binaural Recorder  - Act Now for $1000 Discount</title>
    <link>http://binaural.com/serendipity/index.php?/archives/63-Handheld-Binaural-Recorder-Act-Now-for-1000-Discount.html</link>
            <category>Tools</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;font size=&quot;2&quot; face=&quot;Verdana&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
        ViAcoustics&#039; Handheld Binaural Recorder is a portable recording system capable of making 16 bit/44 kHz or 24 bit/96 kHz, high fidelity digital recordings for listening or post-process acoustic/sound quality analysis.  The Handheld Binaural Recorder is a perfect entry level data acquisition and recording system for use with the &lt;a style=&quot;text-decoration: none;&quot; href=&quot;http://www.viacoustics.com/naesqtools.html&quot;&gt;Nelson Acoustical Engineering Sound Quality Analyzer software&lt;/a&gt;.&lt;/font&gt;&lt;br /&gt;
        &lt;p align=&quot;left&quot;&gt; &lt;font size=&quot;2&quot; face=&quot;Verdana&quot;&gt; &lt;img width=&quot;357&quot; vspace=&quot;3&quot; hspace=&quot;6&quot; height=&quot;264&quot; border=&quot;1&quot; align=&quot;right&quot; src=&quot;http://www.viacoustics.com/images/recorder.gif&quot; /&gt;&lt;br /&gt;&lt;br /&gt;The unit pictured here is using a HP Ipaq 5550 PDA in a dual slot expansion pack with auxiliary battery to control the battery powered A/D converter and microphone signal conditioner. The A/D converter communicates with the PDA via a Compact Flash adapter.  A set of high &lt;br /&gt;
end binaural microphones made by &lt;a href=&quot;http://www.dpamicrophones.com/module.php?MID=100&amp;LANG=3&quot;&gt;DPA&lt;/a&gt; are used by mounting them on a &lt;a style=&quot;text-decoration: none;&quot; href=&quot;http://www.josephson.com/tn5.html&quot;&gt; Jecklin type disk&lt;/a&gt; to achieve the binaural imaging.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
The Handheld Binaural Recorder can be operated as a handheld recording device, using the pistol grip adapter, or mount the unit on a tripod, using the threaded adapter on the base of the handle.  The Handheld Binaural Recorder runs entirely on a 9V batteries in the A/D converter and PDA power, making it a truly portable solution.&lt;font size=&quot;3&quot; color=&quot;#3333ff&quot;&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.viacoustics.com/recorder.html&quot;&gt;http://www.viacoustics.com/recorder.html&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;u&gt;&lt;font size=&quot;3&quot; color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://www.viacoustics.com/recorderdoc.pdf&quot;&gt;&lt;br /&gt;
  Handheld Binaural Recorder Data Sheet&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;    (192k PDF file)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt; 
    </content:encoded>

    <pubDate>Tue, 07 Nov 2006 05:02:57 -0800</pubDate>
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</item>
<item>
    <title>Buy a Neumann Head, or just learn more about it...</title>
    <link>http://binaural.com/serendipity/index.php?/archives/59-Buy-a-Neumann-Head,-or-just-learn-more-about-it....html</link>
            <category>Tools</category>
    
    <comments>http://binaural.com/serendipity/index.php?/archives/59-Buy-a-Neumann-Head,-or-just-learn-more-about-it....html#comments</comments>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;h1&gt;&lt;img width=&quot;196&quot; height=&quot;241&quot; src=&quot;http://binaural.com/serendipity/uploads/neumann.PNG&quot; style=&quot;border: 0px none ; float: right; padding-left: 5px; padding-right: 5px;&quot; /&gt;Neumann KU100 description:&lt;/h1&gt;&lt;br /&gt;
&lt;p&gt;The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone capsules built into the ears. When listening through high-quality headphones it gives the illusion of being right at the scene of the acoustic events.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;When using the KU 100 dummy head, the binaural stereo experience moves the listener into the scene of the original performance, in contrast to other space-related recording techniques, where the acoustic event is moved to the listener. The dummy head is also used in many industrial applications as a measuring device, for example in acoustic research.&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;div align=&quot;center&quot;&gt;&lt;a href=&quot;http://www.dv247.com/invt/21004/&quot;&gt;&lt;u&gt;&lt;font size=&quot;3&quot;&gt;Read more or order your own: http://www.dv247.com/invt/21004/&lt;/font&gt;&lt;/u&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
 
    </content:encoded>

    <pubDate>Fri, 03 Nov 2006 04:44:00 -0800</pubDate>
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<item>
    <title>Audacity Offers Great Open Source Sound Editing and Free</title>
    <link>http://binaural.com/serendipity/index.php?/archives/47-Audacity-Offers-Great-Open-Source-Sound-Editing-and-Free.html</link>
            <category>Tools</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;The listing from UNESCO (United Nations Educational, Scientific, and Cultural Organization endorses both Audacity, an open source sound editor, and Sourceforge, an amazing purveyor of open source software products:&lt;/p&gt;&lt;p /&gt;&lt;div&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li type=&quot;square&quot;&gt;&lt;div class=&quot;link_item&quot;&gt;&lt;div&gt;&lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.unesco.org/cgi-bin/webworld/portal_freesoftware/cgi/jump.cgi?ID=347;d=1&quot; class=&quot;link&quot;&gt;Audacity&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;link_description&quot;&gt;Audacity is a good, simple audio editor&lt;br /&gt;
suitable for recording, mixing, and editing ordinary tracks of&lt;br /&gt;
CD-quality audio, on many platforms including Windows, Mac OS, and&lt;br /&gt;
Linux.&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;link_additional_info&quot;&gt;&lt;br /&gt;
&lt;div&gt;Category(ies) including this link: &lt;a href=&quot;http://www.unesco.org/cgi-bin/webworld/portal_freesoftware/cgi/page.cgi?g=Software%2FProductivity_Tools%2FAudio%2Findex.shtml;d=1&quot;&gt;Audio&lt;/a&gt; | &lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div&gt;&lt;form&gt;&lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://audacity.sourceforge.net/&quot;&gt;&lt;input type=&quot;text&quot; value=&quot;http://audacity.sourceforge.net/&quot; class=&quot;link&quot; style=&quot;width: 500px;&quot; /&gt;&lt;/a&gt;&lt;/font&gt;&lt;/form&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class=&quot;link_info&quot;&gt;(Added: Mon Jun 10 2002 - Hits: 367 Rating:&lt;img border=&quot;0&quot; alt=&quot;10.00&quot; src=&quot;http://www.unesco.org/webworld/portal_freesoftware/pages/images/rating/10.gif&quot; /&gt; 10.00 Votes: 1)  &lt;a href=&quot;http://www.unesco.org/cgi-bin/webworld/portal_freesoftware/cgi/rate.cgi?ID=347;d=1&quot;&gt;Rate It&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; 
    </content:encoded>

    <pubDate>Thu, 19 Oct 2006 04:44:00 -0700</pubDate>
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<item>
    <title>Create a Binaural Story from the Freesound Project</title>
    <link>http://binaural.com/serendipity/index.php?/archives/37-Create-a-Binaural-Story-from-the-Freesound-Project.html</link>
            <category>Tools</category>
    
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;h1&gt;Tell Your Story with soundbytes from:&lt;/h1&gt;&lt;p&gt;&lt;a href=&quot;http://freesound.iua.upf.edu/&quot;&gt;&lt;img width=&quot;269&quot; height=&quot;64&quot; src=&quot;http://binaural.com/serendipity/uploads/freesound.PNG&quot; style=&quot;border: 0px none ; padding-left: 5px; padding-right: 5px;&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;
		The Freesound Project is a collaborative database of &lt;a href=&quot;http://creativecommons.org/&quot;&gt;Creative Commons&lt;/a&gt; licensed sounds. Freesound focuses only on sound, not songs. This is what sets freesound apart from other splendid libraries like &lt;a href=&quot;http://www.ccmixter.org&quot;&gt;ccMixter&lt;/a&gt;. New to this site? Read the &lt;a href=&quot;http://freesound.iua.upf.edu/whatIsFreesound.php&quot;&gt;What is Freesound&lt;/a&gt; page to learn more!&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;
Use the search function to find binaural tags.&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/p&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;&lt;u&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;a href=&quot;http://freesound.iua.upf.edu/&quot;&gt;http://freesound.iua.upf.edu/&lt;/a&gt;&lt;/font&gt;&lt;/u&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;
 
    </content:encoded>

    <pubDate>Wed, 11 Oct 2006 04:44:00 -0700</pubDate>
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<item>
    <title>Soundfield Mic - No &quot;Dummy Head&quot; Needed</title>
    <link>http://binaural.com/serendipity/index.php?/archives/32-Soundfield-Mic-No-Dummy-Head-Needed.html</link>
            <category>Tools</category>
    
    <comments>http://binaural.com/serendipity/index.php?/archives/32-Soundfield-Mic-No-Dummy-Head-Needed.html#comments</comments>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
  &lt;a href=&quot;http://www.soundfield.com/products/dsf2.php&quot;&gt;&lt;img width=&quot;464&quot; height=&quot;295&quot; src=&quot;http://binaural.com/serendipity/uploads/SoundfieldMic.PNG&quot; style=&quot;border: 0px none ; float: right; padding-left: 5px; padding-right: 5px;&quot; /&gt;&lt;/a&gt;&lt;p&gt;&lt;font size=&quot;3&quot;&gt;The DSF-2 Broadcast Microphone System has been specifically developed to simultaneously provide both the surround and stereo soundscape at large scale outside broadcast events such as football stadiums and concert hall venues. Its advantage over alternative methods is that the multichannel audio it generates from a ‘single point’ source is completely phase coherent. This enables the broadcaster to collapse the surround to stereo or mono for TV and radio feeds without loss of information, frequency imbalance or any of the other phase problems associated with spaced microphones or multi capsule ‘dummy head’ arrangements.&lt;/font&gt;&lt;/p&gt;&lt;p /&gt;&lt;h1 align=&quot;center&quot;&gt;&lt;font color=&quot;#3333ff&quot;&gt;&lt;u&gt;&lt;a href=&quot;http://www.soundfield.com/products/dsf2.php&quot;&gt;&lt;font size=&quot;3&quot;&gt;http://www.soundfield.com/products/dsf2.php&lt;/font&gt;&lt;/a&gt;&lt;/u&gt;&lt;/font&gt;&lt;/h1&gt; 
    </content:encoded>

    <pubDate>Mon, 09 Oct 2006 04:44:00 -0700</pubDate>
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<item>
    <title>Learning and Searching Fun</title>
    <link>http://binaural.com/serendipity/index.php?/archives/31-Learning-and-Searching-Fun.html</link>
            <category>Tools</category>
    
    <comments>http://binaural.com/serendipity/index.php?/archives/31-Learning-and-Searching-Fun.html#comments</comments>
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    <author>nospam@example.com (Rich Lewandowski)</author>
    <content:encoded>
    &lt;br /&gt;
&lt;p&gt;This lifted quote contains many references already linked so you can start figuring it out.&lt;/p&gt;&lt;p /&gt;&lt;p&gt;&amp;quot;At &lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.google.com/search?hl=en&amp;q=OmniHead&amp;btnG=Google+Search&quot;&gt;OmniHead&lt;/a&gt;&lt;/font&gt;, we work with &lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.google.com/search?hl=en&amp;lr=&amp;q=Sony+CDR3000&amp;btnG=Search&quot;&gt;Sony CDR3000 closed headphones&lt;/a&gt;&lt;/font&gt;, a reference with very limpid reproduction.The realism of the sound environment thus created also requires a high quality definition of the signal. OmniHead uses omnidirectional microphones and a 130V DPA preamplification, an &lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.google.com/search?hl=en&amp;lr=&amp;q=Apogee+conversion&amp;btnG=Search&quot;&gt;Apogee conversion&lt;/a&gt;&lt;/font&gt;, a resolution in linear  under &lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.google.com/search?hl=en&amp;lr=&amp;q=PCM+24bit%2F44%2C1KHz&amp;btnG=Search&quot;&gt;PCM 24bit/44,1KHz&lt;/a&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Pro_Tools&quot;&gt;ProTools&lt;/a&gt;&lt;/font&gt;. Concerned by this acoustic fidelity, OmniHead will now be able to work on a 96KHz sampling going through a &lt;font size=&quot;3&quot;&gt;&lt;a href=&quot;http://www.google.com/search?hl=en&amp;q=Yamaha+DM2000&amp;btnG=Google+Search&quot;&gt;Yamaha DM2000&lt;/a&gt;&lt;/font&gt; console preamplication and conversion.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;/p&gt; 
    </content:encoded>

    <pubDate>Wed, 20 Sep 2006 04:44:00 -0700</pubDate>
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